Voss Foster |
Immersion is a part of the circus experience, and a strong
visual impact is one of the key elements of immersion. When you go to a circus,
everything is just a bit different, at least… and sometimes more than a bit. A
huge tent, usually in bright colors.
Make-up and costumes are a huge part of it. Traditional
circus colors are vibrant reds and golds, because the red immediately catches
the eye, and the gold feigns opulence The costumes, in their complexity, are
also a clear signal that you're no longer in the outside world. You're
somewhere entirely different, where people wear top hats and tails and spandex
body suits.
For Zirkua Fantastic, I wanted something with a little more
majesty. Instead of being way out there, impossible to miss colors, I tried for
a level of elegance with maroon and silver for the tent.
With costumes, I was more lenient. More often than not, I
tried to work with black, white, and grey. Simple colors that wouldn't
interfere with the performances, but that would still draw in the eye. Things
like a full, white tuxedo, or the huge, black and white form of Madame Zerga.
When you cross the threshold into that big top, everything
should shift. That's what I tried to achieve: from page one, I wanted the
reader's world to shift just a little to the left.
Zirkua
Fantastic has been steadily running since 1753, amazing its
patrons with acts of otherworldly skill and prowess. But that talent
comes at a steep price: each artist must give a year of his or her
life to the circus. None of them know why, only that the circus'
owners will go to whatever lengths are necessary to ensure it. Toby,
the hoop dancer at Zirkua Fantastic and son of one of the owners, is
content with his life: he enjoys performing and Zirkua's wandering
life, and even has a boyfriend among the circus' hawkers. But when a
new artist arrives, bringing with him a strange flask and a number of
odd occurrences, Toby falls face-first into the truth behind the
circus: Its contracts bind King Jester, the immortal embodiment of
chaos.
Zirkua's performances and contracts have held King Jester prisoner for
centuries, but now something's amiss. King Jester's sister, Dragon,
has escaped her own bonds and is working to free her brother, and his
power is growing. If he is loosed on the world, it will mean the worst
war in human history and the end of civilization... unless Zirkua
Fantastic can find a way to stop him.
patrons with acts of otherworldly skill and prowess. But that talent
comes at a steep price: each artist must give a year of his or her
life to the circus. None of them know why, only that the circus'
owners will go to whatever lengths are necessary to ensure it. Toby,
the hoop dancer at Zirkua Fantastic and son of one of the owners, is
content with his life: he enjoys performing and Zirkua's wandering
life, and even has a boyfriend among the circus' hawkers. But when a
new artist arrives, bringing with him a strange flask and a number of
odd occurrences, Toby falls face-first into the truth behind the
circus: Its contracts bind King Jester, the immortal embodiment of
chaos.
Zirkua's performances and contracts have held King Jester prisoner for
centuries, but now something's amiss. King Jester's sister, Dragon,
has escaped her own bonds and is working to free her brother, and his
power is growing. If he is loosed on the world, it will mean the worst
war in human history and the end of civilization... unless Zirkua
Fantastic can find a way to stop him.
Excerpt:
As the caravan rambled down the
interstate, Tobias rolled onto his side. The prop wagon wasn't the most
comfortable. He'd have to opt out of practice to sleep once they got the tent
up. No hope for that here.
He tossed aside the air silk he'd
been using as a blanket and sat up, looking around, listening to the truck's
tires thud across potholes and cracked pavement. He checked the straps holding
the crates, tightened one that had loosened on the drive. "Crap." If
one came loose, others could, too. He pushed himself off his stack of crates
and toppled when they hit a particularly nasty bump. "When was the last
time they fixed up this road?" He dragged himself up and stumbled toward
the rear door of the truck, cranking straps tighter as he went. Once he got
used to the movement, he sped up, tightening down all the cargo in fifteen or
twenty minutes. Only the first strap had come loose.
Wood scraped against wood. His
heart beat faster, breath catching. He scanned through the truck. Nothing had
moved, to his eye. "Just another bump." Palm pressed to his chest, he
tried to force his heartbeat back down to something normal. "Nothing to
worry about."
He sat back on his crates and
wrapped himself in the air silk. Sleeping or not, he needed a barrier against
the cold and, though he would never admit it, it left him feeling safer, more
protected against whatever probably wasn't in the truck with him. He scanned
the boxes a final time, just in case he had missed something.
Still nothing out of place. Not
that Tobias could see much in the dark. He tossed the silk over his head and
lay down on the crates, desperate for some semblance of sleep. He sucked in a
deep breath. The silk smelled like tobacco.
He heard some kind of rustling
and flipped the silk back over his head. Cerulean eyes filled his gaze. The
familiar, heady scent rushed into his nostrils. "Marley."
"You sound surprised."
"A little." Marley
lifted the silk and climbed in next to Toby, snuggling up so close his scent
filled the cocoon. Nice to have you here. "I mean, this is an
artist's wagon. It's not really the sort of thing you do."
He chuckled, hot breath cascading
over Toby's back. "That's not quite true." He kissed Toby's neck,
sending a chill racing along the corded muscles. "I end up in the prop
wagon most nights."
"Do you?" He did his
best to sound unfazed. In reality, he fought back warm, nervous
laughter. "I'd think I would have noticed."
"Well, you did this
time."
"So I did." Toby
scooted closer, relishing in Marley's warmth. "And I'm very happy
about it." He leaned his head against Marley's chest. The slight movement
of the fabric wafted more of the intoxicating perfume into the space. "How
much longer 'til we get to the next town, you think?"
"I'd give it an hour. Maybe
a little more. If I'm any good at guessing distance." Marley pulled Tobias
even closer. "You need to get some sleep, babe."
"Not if it's only an
hour." He turned over and nuzzled into Marley's shirt, staring up into
bright blue eyes. "I'd still be completely useless with only an hour's
sleep." He yawned, and then slapped Marley across the arm. "Stop
being so damn warm." The end of the sentence got muddled by a second,
gaping yawn. "It's like sleeping with a space heater."
"You can't blame me for
being hot. In fact, I remember you thanking me profusely on more than
one occasion for it."
"Well, it's not very helpful
when I'm trying to stay awake."
Marley chuckled. "Then get
off."
He nestled closer in response,
muttering into Marley's chest. "It's not that unbearable."
Marley wriggled his hand under Toby's chin, lifted his face,
kissed him. "I figured that much."
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